In Rage and Denials, thinker and architectural historian Branko Mitrović examines intimately the historiography of artwork and structure within the 20th century, with a focal point at the debate among the figuring out of society as a suite of people and the figuring out of people as mere manifestations of the collectives to which they belong. The battle among those perspectives constitutes a middle methodological drawback of the philosophy of historical past and was once intensely debated by means of 20th-century artwork historians—one of the vital few artwork-historic debates with a variety of implications for all of the box of the arts. Mitrović items probably the most vital positions and arguments on this dispute as they had been articulated within the artwork- and architectural-historic discourse in addition to within the wider context of the historiography and philosophy of historical past of the technology. He explores the philosophical content material of scholarship engaged in those debates, inspecting the authors’ positions, the intricacies and implications in their arguments, and the upward push and dominance of collectivist artwork historiography after the Nineties. He facilities his have a look at at the key artwork-historic figures Erwin Panofsky, Ernst Gombrich, and Hans Sedlmayr at the same time as drawing consideration to the writings of the fewer widely recognized Vasiliy Pavlovich Zubov. Rage and Denials gives a useful window onto how key facets of brand new analysis within the humanities took form over the process the 20th century.